In the next Friday’s class we will discuss the future of media, specifically television, with Eirik Solheim (Twitter: eirikso), one of the people behind NRKBeta and an innovator and authority on digital media and media distribution models. Eirik will speak on the following two topics:
Part 1: How the Internet transforms media
Traditional broadcasting and publishing are mostly built on one way communication. How is democratization of production and distribution transforming the industry? More people produce. More people reach out. What are the major changes for traditional journalism and communication? Mr. Solheim will draw the overall strategic picture and show interesting case studies.
Part 2: How the Internet transforms marketing
You don’t have to rely on big media to reach your customers. And you can’t control what the customers are saying about your brand. What are the opportunities and how about the threats? Companies are experimenting. Failing and succeeding. We’ll go through the most important differences and have a look at some great examples of good and bad modern marketing.
In addition, Eirik is an expert on digital imaging and photography and is willing to share some of that knowledge – should there be time.
To prepare for this lecture, please do the following:
- read chapters 4, 5 and 6 in Shapiro and Varian
- see and listen to Ed Felten‘s lecture "Rip, Mix, Burn, Sue: Technology, Politics, and the Fight to Control Digital Media" (go to Princeton University’s lecture page, do a local search for "Felten"). Pay attention not just to his speech, but the little story told in the beginning about what happened to him when he wanted to talk about his research.
- Check out Cory Doctorow’s talk about copyright, May 2005 (held at Norwegian School of Management. Notice the ability to speak for an hour with no slides and no manuscript. There is also video of the discussion afterwards, which was just as fun.)
Be prepared to discuss:
- how does the electronically distributable audio and video change the playing field for music, TV, radio and movie companies?
- what should they do about it?
- how does it change the world for artists?
- what should they do about it?

Vacation is doing something you don’t normally do, and since I tend to be stuck in front of a computer at all times, I decided to engage in some work with my hands and build Adirondack chairs this summer. You can buy these in stores, of course, but they are expensive (up to $1000 for one chair in Norway,) and the store ones aren’t really Adirondacks, which need a curved back, an anatomically becoming seat and armrests wide enough for coffee, wine, and a computer.
Painting turned out to be tricky. On the advice of a neighbor I invested in a compressor and a paint gun, and first coated the chairs with an impregnating wood treatment. Then I used high-quality house paint, which turned out to be difficult because it needed to be thinned to go through the paint gun. Eventually I ended up with window frame paint. At the suggestion of a reader of my Norwegian blog, I might add a top coat of boat paint later, to get a hard and shiny surface that repels water.
Cost of materials came to about $50 per chair, plus paint. I would not have taken the project on if I couldn’t buy cheap Chinese tools (table saw, 